Sarathy’s main failing is his inferiority complex about his dark looks and physical appearance. All the more compounded, when after many rejections, he finally finds a girl, fair and pretty, and willing to marry him. Suspicion takes its toll on his mind as sees every man talking to his wife as a potential threat to their marriage. Spying on his wife (well played by Kartika), and making regular complaints to the police, Sarathy becomes an object of ridicule. Driving himself to a nervous breakdown, he soon finds his near ones alienated from him. The closing scene has a touch of humour.
A remake of the Malayalam film 'Vadukku Nokki Yanthram', it has a novel story-line, and a finely crafted screenplay, with humour and satire weaved in. The director has stuck faithfully to the original version, the song-dance numbers being the distracting addition here. Saranya’s is a finely tuned performance as the mother, frustrated at her son’s idiosyncrasies.
Mouthing gibberish that sounds like high flown philosophy, Bhasker is in his element.
It was a role that Sreenivasan had crafted for himself to go with his image, mannerisms and his trademark acting style. And it’s to Karunas’ credit that he could come close to re-enacting it with almost the same feel and sensitivity. It’s a film truly different from the routine ones we get to see.
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